Developer: Nomada Studio
Publisher: Devolver Digital
Platform: Nintendo Switch, PC
Release Date: December 13, 2018
My Rating: 5/5
Gris was a game that was on my radar since I first some some screenshots of the game way back in the summer of 2018. When I finally bought and downloaded Gris, it did not disappoint. Be warned, there will be some spoilers of this game in the review!
The gameplay is fairly simple in Gris. It’s a light platform-adventure game where the character is exploring a world while trying to return color to it. As the character, you explore the world around you, collecting beads of light that in turn will help you reach farther places. The controls are as smooth as the art as you direct your character to run and jump while searching the world.
Throughout the levels, your character will also gain a few power-ups, new abilities that will be used to explore more, and most of which will manifest with the help of the character’s dress. The first is a solid, block-like phase, where your character’s dress solidifies into a block that is used to smash through crumbling structures or to help you stand your ground against unrelenting winds. The second ability grants you a double jump, the character’s dress unfolding likes wings to give an extra boost to reach far ledges. The third ability has the dress envelop the girl to give her a silhouette resembling a stingray, with wing-like fins to glide through underwater caverns.
The fourth ability is found at the pinnacle of the game. The character regains the power to sing, her echoing voice bringing back plants and animals to go with the color that is now blooming in the world.
The art style of this game is what captured my attention in the first place. I found the screenshots to be amazing, but I was not expecting how breathtaking the graphics would be when we first turned on the game. The art resembled watercolors with how smoothly it flowed. When you completed a level and successfully brought a color back to the world, it was amazing seeing the color bloom and transform around you.
The music was spot-on and just as gorgeous as the art style, and isn’t a stranger to being played on Spotify now. Considering the game has no dialogue or narration, the art and music are what’s telling the narrative, and it is wonderful. The mood brought on by the music was always right no matter where you are in the game.
The underlying theme of Gris is grief.
The game starts out with your character — a young woman named Gris — who awakens in the hand of a crumbling statue depicting another woman. Gris attempts to sing out, but her voice is gone, and the statue splinters into pieces. Gris then traverses the land, finding beads of light — of hope — to restore color back into the world and to help bring back the statue.
Each level, if you will, represents a stage of grief. The black and white, dusty gray world at the beginning could be shock or denial at what has happened. Red is the first color you restore to the world, laying the ground for plains and desert where Gris fights against angry winds as you push onward. When green is found, Gris explores a lush forest where she finds and helps a creature as she traverses the land, as if striking up a bargain in order to keep moving. Blue leads Gris to water-filled caverns and rain soaking the world, making the character feel a bit waterlogged and, possibly, depressed. Yellow is the last color that is found near the climax of the game and brings about the level that even the game calls Acceptance.
Throughout the silent story, Gris will see and encounter bits and pieces of the statue of the other woman, finding her gray, crumbling, and in various stages of weeping, laying down and, finally, standing up again. The major enemy of the game is within Gris herself, as a giant, shadow bird and eel appear and attempt to prevent her from moving forward, threatening to consume her. The grief tries to swallow Gris once more near the end but both she and the statue find their voices. Together, they sing in harmony for the last time as they banish the grief away. Once the grief dissolves, Gris bids the statue one final farewell as she walks up the stairs of light to the sky.
When I first turned on the game, I had heard the story was one of grief. As I played, I guessed that the statue of the woman was the one whom Gris was grieving for, as if the woman was the one who had died. However, at the end when Gris took those steps up towards what may have been Heaven, I believe that it was Gris who had died. Gris was trying to find her voice to help soothe the statue woman who was grieving for her, making the ending that much more bittersweet.
Gris itself is only about three and a half hours long, and I have heard there are a couple of completionist elements to it after the main game is through. It’s a short enough game that can be played in just a couple of sittings, and the story, music, and graphics are gorgeous enough to warrant you in picking up the game again.
Originally published at https://doublexjump.com on January 14, 2019.